quotations about writing
The purpose of a writer is to keep civilization from destroying itself.
ALBERT CAMUS
attributed, 2012: Waking of the Prophets
We need the expressive arts, the ancient scribes, the storytellers, the priests. And that's where I put myself: as a storyteller. Not necessarily a high priestess, but certainly the storyteller. And I would love to be the storyteller of the tribe.
TANITH LEE
"Love & Death & Publishers", Locus Magazine, April 1998
If you're writing about a character, if he's a powerful character, unless you give him vulnerability I don't think he'll be as interesting to the reader.
STAN LEE
interview, March 13, 2006
I cannot and do not live in the world of discretion, not as a writer, anyway. I would prefer to, I assure you -- it would make life easier. But discretion is, unfortunately, not for novelists.
PHILIP ROTH
Deception: A Novel
There's something paralyzing about being a writer that you have to escape.... The 26 letters distance us from our own hesitations and they make us sound as if we know what we're doing. We know grammar, we know prose, but actually we're all just struggling in the dark, really.
NICHOLSON BAKER
interview, Interview Magazine, September 16, 2013
When I hear about some sensational new writer I sort of think, Shut up ... you've got to be around for a long time before you can really say you're a writer. You've got to stand the test of time, which is the only real test there is.
MARTIN AMIS
"The Past Gets Bigger and the Future Shrinks", Los Angeles Review of Books, July 21, 2013
Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college.
KURT VONNEGUT
A Man Without a Country
Writing is like hunting. There are brutally cold afternoons with nothing in sight, only the wind and your breaking heart. Then the moment when you bag something big.... This is a trophy brought back from the further realm, the kingdom of perpetual glistening night where we know ourselves absolutely. This one goes on the wall.
KATE BRAVERMAN
attributed, From Book to Bestseller
The writer is delegated to declare and to celebrate man's proven capacity for greatness of heart and spirit -- for gallantry in defeat -- for courage, compassion and love. In the endless war against weakness and despair, these are the bright rally-flags of hope and of emulation.
JOHN STEINBECK
Nobel Prize acceptance speech, December 10, 1962
He who only writes to suit the taste of the age, considers himself more than his writings. We should always aim at perfection, and then posterity will do us that justice which sometimes our contemporaries refuse us.
JEAN DE LA BRUYÈRE
"Of Works of the Mind", Les Caractères
Only the hunger for something beyond the personal will allow a writer to break free of one major obstacle to originality -- the fear of self-revelation.
JANE HIRSHFIELD
Nine Gates: Entering the Mind of Poetry
I have no taste for either poverty or honest labor, so writing is the only recourse left for me.
HUNTER S. THOMPSON
The Proud Highway
Of all that is written I love only what a man has written with his blood. Write with blood, and you will find that blood is spirit.
FRIEDRICH NIETZSCHE
Thus Spoke Zarathustra
I have friends, some of whom are spectacularly good writers, who really want someone to edit them. I don't register that impulse. It's like the impulse for wanting a dog.
FRAN LEBOWITZ
interview, A. V. Club, June 17, 2011
I believe so. In its beginning, dialogue's the easiest thing in the world to write when you have a good ear, which I think I have. But as it goes on, it's the most difficult, because it has so many ways to function. Sometimes I needed to make a speech do three or four or five things at once--reveal what the character said but also what he thought he said, what he hid, what others were going to think he meant, and what they misunderstood, and so forth--all in his single speech. And the speech would have to keep the essence of this one character, his whole particular outlook in concentrated form. This isn't to say I succeeded. But I guess it explains why dialogue gives me my greatest pleasure in writing.
EUDORA WELTY
The Paris Review, fall 1972
When we attempt to articulate our tender feelings in writing, we enter an inner dialogue of self-exploration: we forage for the more precise word, the more resonant phrasing. If the writing is done with particular care and attention, there is a Goldilocks quality to it: We rustle through an assortment of terms, discarding one, perhaps as "too weak" or another "too ordinary" until we settle upon the one that is "just right". In doing so, we have discovered something about ourselves.
DANIEL GRIFFIN
"Don't Tell Him You Love Him... Put It in Writing", Huffington Post, February 15, 2016
I compelled myself all through to write an exercise in verse, in a different form, every day of the year. I turned out my page every day, of some sort--I mean I didn't give a damn about the meaning, I just wanted to master the form--all the way from free verse, Walt Whitman, to the most elaborate of villanelles and ballad forms. Very good training. I've always told everybody who has ever come to me that I thought that was the first thing to do.
CONRAD AIKEN
interview, The Paris Review, winter-spring 1968
Gotta have a head like a wrecking ball, a spirit like one of them punching clown dummies that always weeble-wobbles back up to standing. This takes time. Stories need to find the right home, the right audience. Stick with it. Quitting is for sad pandas.
CHUCK WENDIG
250 Things You Should Know About Writing
I tend to be very much a planner. I mean obviously details veer in the telling all the time, that's clearly the case, but in terms of the broad architecture of a book I plot carefully and if things start to veer halfway through, I tend to stop and either pull them back on course, or if I realize they are going in a better direction, I extrapolate and work out what effect this is going to have further down. I am not one of these writers who is able to enjoy flying by the sit of my pants. And there's no value judgment there, incidentally. I am very well aware that some absolutely fantastic, wonderful writers do that. For me, no, I cannot do it. I have to plan quite meticulously.
CHINA MIÉVILLE
"In a Carapace of Light: A Conversation with China Miéville", Clarkesworld
My father really taught me that you really develop the habit of writing and you sit down at the same time every day, you don't wait for inspiration. You sit down, it helps your subconscious understand that it's time to start writing and to relax down into that well of dream material and memory and imagination. So, I sit down at the exact same time every day. And I let myself write really awful first drafts of things. I take very short assignments; I will capture for myself in a few words what I'm going to be trying to do that morning, or in that hour. Maybe I'm going to write a description of the lake out in Inverness in West Marin, where I live. And so I try to keep things really small and manageable. I have a one-inch picture frame on my desk so I can remember that that's all I'm going to be able to see in the course of an hour or two, and then I just let myself start and it goes really badly most mornings; as it does for most writers.
ANNE LAMOTT
interview, Big Think, April 6, 2010