WRITING QUOTES III
quotations about writing
In writing, it would help a lot if we had some intermediate punctuation marks to indicate soft questions, soft exclamations, and different inflection in dialogue. But we just don't. And question marks and exclamation marks can jar a reader unnecessarily.
ANNE RICE
interview, The Huffington Post, October 15, 2013
No writing has any real value which is not the expression of genuine thought and feeling.
ELEANOR ROOSEVELT
My Day
A little while back I observed that many people are put off writing because they fear committing one or more of the innumerable errors that seem to lie in wait for them at every step of composition. But if one understands that a sentence is a structure of logical relationships and that the number of relationships involved is finite, one understands too that there is only one error to worry about, the error of being illogical, and only one rule to follow: make sure that every component of your sentence is related to the other components in a way that is clear and unambiguous (unless ambiguity is what you are aiming at).
STANLEY FISH
How to Write a Sentence: And How to Read One
It is always vaunting, of course, to imagine yourself inside another person, but it is what a story writer does in every piece of work; it is his first step, and his last too, I suppose.
EUDORA WELTY
One Writer's Beginnings
A writer's greatest pleasure is revealing to people things they knew but did not know they knew. Or did not realize everyone else knew, too. This produces a warm sense of fellow feeling and is the best a writer can do.
ANDY ROONEY
"A Few Words from Andy Rooney: A Face of America Commentary"
If you will describe the people--nay, if you will write for the people, you must be one of the people.
WALTER BAGEHOT
Literary Studies
To this day, if you ask me how I became a writer, I cannot give you an answer. To this day, if you ask me how a book is written, I cannot answer. For long periods, if I didn't know that somehow in the past I had written a book, I would have given up.
V. S. NAIPAUL
New York Times, April 24, 1994
If I've already figured out how the book ends, why bother to finish writing it? My writing isn't terribly efficient, because I often have to backtrack a bit when I change my mind, but I like the sense of discovery that comes from not knowing what happens next.
PATRICIA BRIGGS
interview, Bitten by Books, March 30, 2010
In his prime the Hollywood screenwriter was one of the tragic figures of our age, evoking the special anguish that arises from feeling sorry for oneself while making large amounts of money.
J. G. BALLARD
A User's Guide to the Millennium
There's no such thing as perfect writing, just like there's no such thing as perfect despair.
HURAKI MURAKAMI
Hear the Wind Sing
It is the specialist's task to talk about means, about centimeters. An artist's task is to talk about the goal, about kilometers, thousands of kilometers. The organizing role of art consists of infecting the reader, of arousing him with pathos or irony -- the cathode and anode in literature. But irony that is measured in centimeters is pathetic, and centimeter-sized pathos is ridiculous. No one can be carried away by it. To stir the reader, the artist must speak not of means but of ends, of the great goal toward which mankind is moving.
YEVGENY ZAMYATIN
The Goal
There would be punishment and pain, and there would be happiness, too. That was writing.
MARKUS ZUSAK
The Book Thief
Whoop! 6K words, 21 pages, and 8 miles on the treadmill -- DONE! #ProductiveDay #LetThereBeIceCream
VICTORIA LAURIE
Twitter post, December 21, 2014
There was a kind of poetry I was seeking in my prose, word to be laid against word in just a certain way, a kind of word color, a march of words and sentences, the color to be squeezed out of simple words, simple sentence construction.
SHERWOOD ANDERSON
Memoirs
Writing keeps me at my desk, constantly trying to write a perfect sentence. It is a great privilege to make one's living from writing sentences. The sentence is the greatest invention of civilization. To sit all day long assembling these extraordinary strings of words is a marvelous thing. I couldn't ask for anything better. It's as near to godliness as I can get.... The great thrill is when a sentence that starts out being completely plain suddenly begins to sing, rising far above itself and above any expectation I might have had for it. That's what keeps me going on those dark December days.
JOHN BANVILLE
The Paris Review, spring 2009
I can remember discussing the effect of the typewriter on our work with Tom Eliot because he was moving to the typewriter about the same time I was. And I remember our agreeing that it made for a slight change of style in the prose -- that you tended to use more periodic sentences, a little shorter, and a rather choppier style -- and that one must be careful about that. Because, you see, you couldn't look ahead quite far enough, for you were always thinking about putting your fingers on the bloody keys. But that was a passing phase only. We both soon discovered that we were just as free to let the style throw itself into the air as we had been writing manually.
CONRAD AIKEN
interview, The Paris Review, winter-spring 1968
Irish English is a very different beast from English English or American English. Very different. The way in which Irish writers are only too happy to infuse their language with ambiguity is very different. An English writer will try to be clear. Orwell said that good prose should be like a pane of glass. The Irish writer would say: 'No no, it's a lens, it distorts everything.'
JOHN BANVILLE
"Oblique dreamer", The Guardian, September 17, 2000
I don't give a damn what other people think. It's entirely their own business. I'm not writing for other people.
HAROLD PINTER
interview, December 1971
Here's a news flash--writers are selfish people. Truth is, creative types like me are driven by one impulse--to make up a world in which we get to control everything and everyone. We decide who enters and who exits, what the weather will be, who will hook up with whom, who will win and who will lose. It makes us feel powerful and, in all honesty, has relatively little to do with thinking about what will make anyone else happy.
VICTORIA LAURIE
acknowledgements, What's A Ghoul to Do?
Writing by hand, mouthing by mouth: in each case you get a very strong physical sense of the emergence of language--squeezed out like a well-formed stool--what satisfaction! what bliss!
WILLIAM H. GASS
The Paris Review, summer 1977